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	<title>Alvorada &#187; Guto Índio da Costa</title>
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		<title>At the fair</title>
		<link>http://www.alvorada.org/2009/08/at-the-fair/</link>
		<comments>http://www.alvorada.org/2009/08/at-the-fair/#comments</comments>
		<pubDate>Fri, 07 Aug 2009 14:19:26 +0000</pubDate>
		<dc:creator>Frederico Duarte</dc:creator>
				<category><![CDATA[Bento Gonçalves]]></category>
		<category><![CDATA[Ademir Bueno]]></category>
		<category><![CDATA[Bernardo Senna]]></category>
		<category><![CDATA[Fábio Yoshio]]></category>
		<category><![CDATA[Guto Índio da Costa]]></category>
		<category><![CDATA[Ilse Lang]]></category>
		<category><![CDATA[Maria Helena Estrada]]></category>

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Having arrived at the Casa Brasil Design around 3pm yesterday, I walked around and inside the fair&#8217;s stands, meeting some of the designers and manufacturers. Around 5pm there was a &#8220;bate-papo&#8221;, or conversation, between the jurors of the Salão Design Award. Bernardo Senna, Ademir Bueno, Guto Índio da Costa and Maria Helena Estrada. They held a lively [...]]]></description>
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<p>Having arrived at the <a href="http://www.casabrasil.com.br" target="_blank">Casa Brasil Design</a> around 3pm yesterday, I walked around and inside the fair&#8217;s stands, meeting some of the designers and manufacturers. Around 5pm there was a &#8220;bate-papo&#8221;, or conversation, between the jurors of the <a href="http://www.casabrasil.com.br/_salao/site/" target="_blank">Salão Design Award</a>. <a href="http://bernardosenna.com/" target="_blank">Bernardo Senna</a>, <a href="http://www.tokstok.com.br" target="_blank">Ademir Bueno</a>, <a href="http://www.indiodacosta.com/" target="_blank">Guto Índio da Costa</a> and <a href="http://www.arcdesign.com.br" target="_blank">Maria Helena Estrada</a>. They held a lively debate over their work as jurors, about how they didn&#8217;t give out some of the awards in order to elevate the distinction&#8217;s level, and didn&#8217;t shy from making – especially Maria Helena – rather critical observations to the furniture factory owners showing their products in the surrounding halls.</p>
<p>After the talk I paid a visit to Ilse Lang. Her <a href="http://www.farodesign.com.br" target="_blank">Faro Design</a> stand was much calmer by then, and we could actually sit down and talk for a while, where we mostly talked about identity in design. Not that this issue is particularly dear to Ilse, but she is a good example of how the notion of Brazilian – as any other national bracket – design is problematic in itself. This is something Marco Romanelli reflected upon in his <a href="http://www.05031979.net/alvorada/wp-content/themes/white-as-milk/Domus%20728-1.pdf" target="_blank">June 1991 article for domus</a> that first presented the work of Fernando and Humberto Campana in the international press.</p>
<p>Ilse lives and works in Porto Alegre, but is from Caçapava do Sul, Brazil&#8217;s &#8220;south of the south&#8221;. She feels closer to the more monochromatic, wide open &#8220;pampa&#8221; landscape of the region that encompasses southern Brazil, Uruguay and Argentina than the tropical exuberance foreigners often associate with Brazil. Her name itself reflects her German-speaking immigrant colony ancestry. Her work, which has won several awards and can be found all over Brazil and abroad, also fails to express that &#8220;brazilian quality&#8221; we may be trying to find. And it shouldn&#8217;t have to. After all, there are so many landscapes, races, dialects, origins and qualities to Brazil&#8217;s 190 million people. Ilse Lang is just one of them.</p>
<p>Later that night the Award Gala for Salão Design took place in the Bangalô club here in Bento Gonçalves, where I spent a good time talking to Bernardo Senna and also to <a href="http://www.ydesign.com.br" target="_blank">Fábio Yoshio</a> on how mixed up a place Brazil is.</p>
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